Washington National Symphony violinist Glenn Donnellan wanted to make the orchestra’s concerts for young people more engaging. So, naturally, he decided to make a violin out of a Louisville Slugger.
As Anne Midgette reports in today’s WaPo:
Donnellan made his bat-violin when the orchestra was preparing to go to Arkansas this spring for the 19th of its annual American residencies, which offer concerts and outreach programs in areas of the country that may not be well served with classical music. He was looking for an instrument to use in a children’s concert; he had done the same program in D.C. with more standard electric fiddles, but he had only borrowed those instruments and couldn’t take them on tour.
Not everyone might have come up with his solution, which required hours backstage at the Kennedy Center, using the stagehands’ drill press to make holes in a baseball bat. “It’s tricky to drill a hole in the handle,” he observes. “If you use a small enough bit, it wants to drift.” He adds, “You’ll see how [the bat-violin] is kind of crude at the bottom.”
On the contrary, the video is downright elegant — both for the instrument, narrow and compact, and for the playing, executed with cool aplomb. It’s certainly not your typical classical-music approach to the national anthem. There are overtones of Jimi Hendrix in the reverberant electronic sound, though the arrangement is actually Donnellan’s own. (The video appears on YouTube as a “video response” to Hendrix, but Donnellan says that was an accident; new to the site, he randomly clicked a lot of different links when his post first went up.)
On the contrary, the video is downright elegant — both for the instrument, narrow and compact, and for the playing, executed with cool aplomb. It’s certainly not your typical classical-music approach to the national anthem. There are overtones of Jimi Hendrix in the reverberant electronic sound, though the arrangement is actually Donnellan’s own. (The video appears on YouTube as a “video response” to Hendrix, but Donnellan says that was an accident; new to the site, he randomly clicked a lot of different links when his post first went up.)Donnellan has been with the NSO since 1997; his violinist wife, Jan Chung, frequently plays with the orchestra, too. (They have two children: Adrian, 8, and Katherine, 6.) On his own time, Donnellan tries his hand at fiddling and experimenting with jazz. “Jamming with a guitarist on ‘Hotel California’ at the California Congressional offices on the Hill, and with kids playing the Blues in Mississippi were some of the most fun and memorable musical experiences I’ve had,” he writes in a follow-up e-mail. “In terms of playing outside the classical box, I think that if you can feel it, you can play it.”On the contrary, the video is downright elegant — both for the instrument, narrow and compact, and for the playing, executed with cool aplomb. It’s certainly not your typical classical-music approach to the national anthem. There are overtones of Jimi Hendrix in the reverberant electronic sound, though the arrangement is actually Donnellan’s own. (The video appears on YouTube as a “video response” to Hendrix, but Donnellan says that was an accident; new to the site, he randomly clicked a lot of different links when his post first went up.)Donnellan has been with the NSO since 1997; his violinist wife, Jan Chung, frequently plays with the orchestra, too. (They have two children: Adrian, 8, and Katherine, 6.) On his own time, Donnellan tries his hand at fiddling and experimenting with jazz. “Jamming with a guitarist on ‘Hotel California’ at the California Congressional offices on the Hill, and with kids playing the Blues in Mississippi were some of the most fun and memorable musical experiences I’ve had,” he writes in a follow-up e-mail. “In terms of playing outside the classical box, I think that if you can feel it, you can play it.”